When writer and director Bill Leavengood came to me with a new musical satire that needed a theater, I was happy to find some dates, especially when he assured me that Drilled: The Musical was “topical, irreverent, crazy, silly, stupid, raunchy, surprising AND set in a dental office.”
He wrote it with another Palladium favorite, the pianist and songwriter Constantine Grame and he wanted to do it in the Side Door, where audiences can be up close and laughing. It sounded like the perfect theater piece for our Summer House series.
Drilled: The Musical opens tonight and runs through Sunday – it skips Saturday night when sax man Jeremy Carter takes the stage for a John Coltrane-inspired show. For tickets and more information you can follow this link.
The great new on-line news magazine, St. Pete Catalyst, included a preview of Drilled this week. Catalyst has become the go-to spot for local arts coverage, a lot of it written by another local treasure, author Bill DeYoung. You should subscribe. To visit St. Pete Catalyst and read the entire story, just follow this link.
An excerpt appears below:
By BILL DEYOUNG/ST. PETE CATALYST
It was Bill Leavengood’s dental hygienist, of all people, who planted the seed for his newest play. “Hey,” she’d said as he climbed out of the chair, “you ought to set a musical in a dentist’s office.”
The cast of Drilled
Leavengood, whose previous works have included Crossing the Bay and Webb’s City: The Musical, considered it a terrible idea … at first. Then it grew on him until he couldn’t let it go. “I thought you know, I can make fun of everything ridiculous going on in our county through a visit to the dentist,” recalls the St. Petersburg playwright. “And that’s where it all started.”
Where it all wound up was Drilled!, with book and lyrics by Leavengood, music by Constantine Grame. The all-original “rollicking song and dance political satire” begins a four-performance run Thursday at the Palladium Theater.
It tells the hard-knocks story of Larry the Laborer, your average Joe-the-Plumber American, who becomes the unwitting mascot of the GOP. Larry, the victim of broken campaign promises, loses both his job and his marriage. And then comes down with a terrible toothache.
“And the only place that’ll take his lousy insurance,” Leavengood explains, “is a place called the Smile Factory, which is an international conglomerate of dentists’ offices.”
There’s a lot of singing and dancing in Drilled!, which Leavengood declares “the most ridiculous musical that you will ever see.” At its heart, however, it’s a barbed sendup of the current political system – both the left and the right.
“I have a big problem with corporate conglomerates, and particularly the way that’s changed health care and medicine,” offers the playwright. “I also wanted to say a few things about the current administration. I also wanted to say a few things about the egregiously wealthy one percenters.
Grame and Leavengood
“And I wanted to make fun of fanatics on the left and the right who somehow think their continued fanaticism is going to change things, instead of the 80 percent of us in the middle trying to come to some agreement where we can move forward in a positive way.”
Except for a jolly song of betrayal called “Bushed and Trumped,” there are no mentions of the White House’s current occupant: Drilled! Is an equal opportunity (ie both red and blue) satire. “We think people are going to love it, but it is a strange one. It gets progressively stranger.”
Leavengood, a prolific and award-winning playwright, has been teaching Theatre, Playwriting and Film at Shorecrest Preparatory School in St. Pete for 20 years. In addition, he is the Adjunct Professor of Playwriting at the University of South Florida in Tampa.
His 2005 show Crossing the Bay, an historical musical about the Pinellas peninsula in the 1890s, will be re-mounted in September (in a scaled-down “concert version”) at the Palladium.
The music for both Crossing the Bay and Webb’s City was composed by Lee Ahlin, who retired before Leavengood dreamed up Drilled! Constantine Grame is a Tarpon Springs-based composer.
Leavengood promises he didn’t write his dental hygienist – she’s also his biggest fan – into the story. “My dental hygienist is this warm, bubbly person,” he says, “and the hygienist in the play, she basically belongs in the Third Reich. In fact, she’s German.
“I don’t want to give away too much, but there are certainly lots of surprises having to do with pain. That’s all I can say.”
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